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Metaphor and ideology in film

Comanducci, Carlo (2011)
M.Phil. thesis, University of Birmingham.

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Metaphor is not just a mere decorative device, but must be regarded as a central process in language and cognition. This dissertation explores the possibility to employ Max Black's interactional theory of metaphor and cognitive metaphor theory to study metaphor in film language. This point of view has not yet been considered within film studies, yet it is indispensable for the analysis of complex metaphorical structures in film texts, and it may also provide a precise framework for the understanding of associative film language. First of all, the description of the metaphorical process proposed by interaction and cognitive metaphor theories is discussed and applied to the analysis of film texts. A special attention is given to how ideology is involved in the construction and reception of conventional and non-conventional metaphors. In the last part of the dissertation, Neil Blomkamp's District 9 and Roland Emmerich’s 2012 are analysed in detail, with a particular focus on the interaction of structuring, personification and displacement metaphors in the determination of the ideological discourses of the films.

Type of Work:M.Phil. thesis.
School/Faculty:Colleges (2008 onwards) > College of Arts & Law
Department:Film Studies, Department of American and Canadian Studies
Subjects:PN0080 Criticism
P Philology. Linguistics
PN1993 Motion Pictures
Institution:University of Birmingham
ID Code:1598
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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