Cooper, David (2010)
M.Phil. thesis, University of Birmingham.
Restricted to Repository staff only until 01 January 2020.
The world of the graphic novel has become a popular topic for academic discussion in recent decades and this wide range of work is discussed and built upon here in order to explore the theme of minority voice in the Francophone arena of bande dessinée. This exploration is centred on discovering how and why artists and groups have used the medium to bring their voice to an ever-increasing BD readership. A range of approaches are taken to achieve this, from examining the formal structures of the medium to considering the historical and political influences on contemporary albums. This thesis begins by defining the term minority in the context of the graphic novel and explaining the role which autobiographical bande dessinée, or the neogenre of AutoBioBD, will play in its discussion. It then considers a range of albums in which the minority identity and voice of the artist focus on nationality, theme and race. Finally the thesis examines the work from the 1990s produced by two artists, Baru and Fabrice Neaud. Baru’s road movie-inspired L’Autoroute du Soleil and Neaud’s autobiographical Journal project form two of the major case studies in the final chapters, and lend the thesis part of its title.
This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder.
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