Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

A

Ai, Yiran ORCID: 0000-0001-8634-5998 (2022). What makes a film feminist?: gender perspectives of directors of westernised and Hong Kong cinema between 1990 and 2000. University of Birmingham. Ph.D.

Al-Ajmi, Sara (2015). Negotiating the representations of Arabs in Hollywood films: perspectives and interpretations of young Kuwaitis. University of Birmingham. Ph.D.

B

Bellardi, Marco (2018). The cinematic mode in twentieth-century fiction a comparative approach. University of Birmingham. Ph.D.

Bower, Anne (2015). Re-visioning tropes of womanhood in early African American all black cast movie musicals: representations of the holy woman and her transgressive counterpart in King Vidor’s Hallelujah (1929), Spencer Williams’ The blood of Jesus (1941) and Vincente Minnelli’s Cabin in the sky (1943). University of Birmingham. M.Phil.

Broadribb, Benjamin (2023). The cultural significance of Shakespeare on screen in the Twenty-First Century. University of Birmingham. Ph.D.

C

Capó Valdivia, Jordi ORCID: 0000-0001-5716-8988 (2022). Lucy Drives a Car: art cinema and dramedy as a framework for the practice of screenwriting. University of Birmingham. Ph.D.

Carta, Silvio (2012). Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. University of Birmingham. Ph.D.

Climo, Jill Marian (2012). New negotiations in post-2000 French cinema. University of Birmingham. Ph.D.

Close, Jobe (2017). The image of Shell Shock: psychological trauma, masculinity, and the Great War in British and American cinema. University of Birmingham. M.A.

Cobb, Jessica (2013). Two worlds meeting: cultural interaction in Rosemary Sutcliff's The Eagle of the Ninth. University of Birmingham. M.Phil.

Cobb, Thomas (2018). Decade of disarray: Hollywood allegories of U.S. foreign policy: 1999-2009. University of Birmingham. Ph.D.

Cobb, Thomas (2014). How did mainstream Hollywood cinema respond to the political zeitgeist following the 9/11 attacks? University of Birmingham. M.Res.

Comanducci, Carlo (2011). Metaphor and ideology in film. University of Birmingham. M.Phil.

Comanducci, Carlo (2016). The wayward spectator. University of Birmingham. Ph.D.

D

Da Silva Gregório, Paulo Henrique (2017). Intersections between Shakespeare and Beckett on stage, screen and page. University of Birmingham. Ph.D.

F

Freijo Escudero, Luis ORCID: 0000-0003-2618-4779 (2023). De-Westernising the Western: remapping genre and nation in World Cinema. University of Birmingham. Ph.D.

H

Hartless, Harry (2022). Try to learn to let what is unfair teach you: an investigation into metafiction, self- consciousness and morality AND ‘A diamond geeza is a girl’s best friend’ a collection of short stories, vignettes and snapshots. University of Birmingham. Ph.D.

J

Johnson, Nicholas (2011). Eighty years on: representations of teachers and schools in British films, from 1930 to 2010. University of Birmingham. Ph.D.

Justice, Rebecca Claire (2017). Falling through the meshwork: images of falling through 9/11 and beyond. University of Birmingham. Ph.D.

K

Katz, Stephanie E. (2023). Here we go 'Round In circles’: The definition of Circular Narrative as a new narrative typology. University of Birmingham. Ph.D.

L

Langley, Richard Mark (2012). Ameritocracy: Hollywood blockbusters and the universalisation of American values. University of Birmingham. Ph.D.

Li, Yuen Lam (2018). Empowering women: participatory film projects for women. University of Birmingham. M.A.

M

Matoo, Gurbax (2015). Disciplining the boundaries of South Asian women's sexuality: an analysis of the representation of women in independent South Asian 'lesbian' cinema. University of Birmingham. M.Res.

Michael, Diane Mae (2024). Travail de mémoire : Années noires, image, intergénérationnalité. University of Birmingham. Ph.D.

Morris, Julia (2010). An investigation into subtitling in French and Spanish heritage cinema. University of Birmingham. M.Phil.

Mukhida, Leila (2015). Politics and the moving image: contemporary German and Austrian cinema through the lens of Benjamin, Kracauer and Kluge. University of Birmingham. Ph.D.

N

Ní Chréacháin, Fírinne (1998). Sembene in Senegal: radical art in neo-colonial society. University of Birmingham. Ph.D.

P

Patrick, Martin Luther (2009). The myth of the Black male beast in postclassical American cinema: ‘Forging’ stereotypes and discovering Black masculinities. University of Birmingham. M.Phil.

Peters, Claire Isla MacLeod (2013). Le Paris de la mémoire: traces of the Holocaust and the Algerian War in the city of light. University of Birmingham. Ph.D.

R

Rogers, Jami (2011). Shakespeare and the thirties: representations of the past in contemporary performance. University of Birmingham. Ph.D.

S

Schnabel, Stephanie Michaela (2012). Narrative strategies in Shakespearean productions on twenty-first-century European stages. University of Birmingham. M.Litt.

Simpson, Hannah Rachel (2010). Cinematic representations of women in France and Germany, 1918-1933. University of Birmingham. M.Phil.

V

Varotsis, George (2013). Approaching the screenplay as a complex system: underlying mechanics, interrelating dynamics and the plot-algorithmic process. University of Birmingham. Ph.D.

W

Waters, Alexander (2011). Discerning a surrealist cinema. University of Birmingham. M.Phil.

Z

Zogall, Gabriela (2021). The evil woman in cinematic realms: the evolution of supernatural female antagonists in English-speaking North American fantasy and horror film of the 21st century. University of Birmingham. Ph.D.