Items where Subject is "P Language and Literature > PN Literature (General) > PN0441 Literary History"

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Ashworth, Angela (2021). The Newfoundland outport novel; perceptions of place and identity. 1858-2014. University of Birmingham. Ph.D.

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Baggs , Thomas A. (1912). The rise and progress of euphism in English literature. University of Birmingham. M.Res.

Birch, Catherine Elizabeth (2011). Evolutionary feminism in late-victorian women’s poetry: Mathilde Blind, Constance Naden and May Kendall. University of Birmingham. Ph.D.

Blackwell, Matilda (2022). Reading the Bathroom in Early Twentieth-Century Women's Writing. University of Birmingham. Ph.D.

Buckingham, Daniel Adrian (2022). ‘Licence to tease’: satire and apology in the twentieth-century middlebrow. University of Birmingham. Ph.D.

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Caddick, Ruth Helen (2023). A new edition and study of the Older Scots romance 'Clariodus'. University of Birmingham. Ph.D.

Clifton, Thomas ORCID: https://orcid.org/0000-0003-2173-0187 (2023). Meditative textual practices in England, 1661 – 1678. University of Birmingham. Ph.D.

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Dewar, Benjamin Neil (2019). Representations of rebellion in the Assyrian royal inscriptions. University of Birmingham. Ph.D.

Domouxi, Paschalina (2016). Narrative experimentation in difficult times: the development of post-war Greek women's fiction. University of Birmingham. M.Phil.

Donovan, John (1972). Hudibras and its literary context. University of Birmingham. Ph.D.

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Edwards, Adam T ORCID: https://orcid.org/0009-0001-8879-5711 (2024). Attitude is everything: The importance of Cyberpunk to contemporary society. University of Birmingham. Ph.D.

Emmett, Rebecca Jane (2011). Anglo-Scottish succession tracts during the late Elizabethan period, 1595-1603. University of Birmingham. M.Phil.

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Gottschall, Anna Edith (2016). The Pater Noster and the laity in england c.700 - 1560 with special focus on the clergy’s use of the prayer to structure basic catechetical teaching. University of Birmingham. Ph.D.

Greene, Rob (2020). The poetry school of experience. University of Birmingham. Ph.D.

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Hale, Florence (1920). The influence of Latin drama on Elizabethan drama. University of Birmingham. M.Res.

Harrill, Claire Louise (2017). Politics and sainthood: literary representations of St Margaret of Scotland in England and Scotland from the eleventh to the fifteenth century. University of Birmingham. Ph.D.

Hayes, Joanna Louise (2022). 'Forc'd to limb my own Child': Nathaniel Lee's reuse of The Massacre of Paris in The Princess of Cleve and The Duke of Guise. University of Birmingham. M.A.

Hill, David Arthur (2012). A distrust of tradition: the study, performance and reception of Shakespeare in England in a context of social, political and technological change, 1919-1939. University of Birmingham. M.Litt.

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Ingham, Anthea Margaret (2011). Algernon Charles Swinburne: the causes and effects of his Sapphic possession. University of Birmingham. Ph.D.

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Jeffery, Elizabeth Mary ORCID: https://orcid.org/0000-0001-8378-9892 (2021). Minority Shakespeare: a cultural study of translation and performance in Welsh, Euskara, and Te Reo Māori. University of Birmingham. Ph.D.

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Lachmansingh, Sandhya Kimberley (2011). ‘Fashions of the mind’: Modernism and British vogue under the editorship of Dorothy Todd. University of Birmingham. M.Phil.

Lamrani, Sonia (2023). An Algerian paradox? The emulation of colonial visions through self-Orientalism in postcolonial literature. University of Birmingham. Ph.D.

Liddell, M.F. (1925). German sea poetry. University of Birmingham. Ph.D.

Linnemann, Emily Caroline Louise (2011). The cultural value of Shakespeare in twenty-first-century publicly-funded theatre in England. University of Birmingham. Ph.D.

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McCourt, Eileen Marie Cameron (2020). Samuel Phelps at Sadler's Wells theatre: 1844-1862. University of Birmingham. Ph.D.

McDonald, Anmarie (2010). She is Rhodesia. University of Birmingham. M.Phil.

McGhee, John (2019). How much shall we bet? Defining surreal futures. University of Birmingham. Ph.D.

Mihara, Minoru (2006). The origin and the development of scholarly editing: a comparative study of ballad editing and Shakespeare editing in the eighteenth century. University of Birmingham. M.Phil.

Mobley, Gail Elaine (2017). The formation of the English literary canon in the seventeenth century (1640-1694). University of Birmingham. Ph.D.

Moster, Brittany (2020). John Middleton Murry's Editorial Practices 1911-1927. University of Birmingham. Ph.D.

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Nagase, Mariko (2012). Literary editing of seventeenth-century English drama. University of Birmingham. Ph.D.

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O'Mara, Timothy John (2011). An edition of the Middle English Pains of Sin from Cambridge, Magdelene College Library, Ms Pepys 2498. University of Birmingham. M.Phil.

Olive, Sarah Elizabeth (2011). Shakespeare valued: policy, pedagogy and practice in English education, 1989-2009. University of Birmingham. Ph.D.

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Parker, Sarah Louise (2012). The lesbian muse: homoeroticism, female poetic identity and contemporary muse figures. University of Birmingham. Ph.D.

Parkes, Mia Christine (2020). Mujeres de Ventas: women's prison writing in Franco's prisons. University of Birmingham. M.A.

Pracy, Elizabeth Patricia (1999). An analysis of a notebook of James Orchard Halliwell-Phillipps. University of Birmingham. M.Phil.

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Quinn, Anne P (2019). Out of time and into history: representations of changing identity in twenty-first-century Irish literature. University of Birmingham. Ph.D.

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Reeve-Tucker, Alice Glen (2012). Evelyn Waugh, Graham Greene, and Catholicism: 1928-1939. University of Birmingham. Ph.D.

Ritchie, Stefka (2014). Samuel Johnson: a promoter of social improvement. University of Birmingham. Ph.D.

Roberts, Marion (2011). Close encounters: Anna Seward, 1742–1809, a woman in provincial cultural life. University of Birmingham. M.Litt.

Rogers, Jami (2011). Shakespeare and the thirties: representations of the past in contemporary performance. University of Birmingham. Ph.D.

Ross, Lizzie Louise (1912). The effect of the advance in scientific knowledge upon seventeenth century literature. University of Birmingham. M.A.

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Sato, Kanshi Hiroko (2009). Masochism and Decadent literature: Jean Lorrain and Joséphin Péladan. University of Birmingham. Ph.D.

Schnabel, Stephanie Michaela (2012). Narrative strategies in Shakespearean productions on twenty-first-century European stages. University of Birmingham. M.Litt.

Searle, Kenneth Andrew (2015). Aspirational identity in British “gay masculinity”: 1991-2011. University of Birmingham. Ph.D.

Southall, R. (1961). The nature and significance of rhythm in the poetry of Sir Thomas Wyatt: (with transcripts of two principal manuscripts). University of Birmingham. Ph.D.

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Tanswell, Grace (2011). A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form. University of Birmingham. M.Phil.

Tasker, Janet Elizabeth (2022). The presence of God in post-reformation English drama, 1559 - 1642. University of Birmingham. Ph.D.

Toney, Polly (2012). Elizabeth Cook’s Achilles: women’s writing of classical reception and feminism. University of Birmingham. M.Phil.

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Walker, Judith Elaine (2005). 'To amaze the people with pleasure and delight': an analysis of the horsemanship manuals of William Cavendish, first Duke of Newcastle (1593-1676). University of Birmingham. Ph.D.

Walker, Judith Elaine (1996). 'Torment to a restlesse mind': an analysis of major themes in Poems and Fancies (1653) by Margaret Cavendish. University of Birmingham. M.Phil.

Westh, Sara Marie (2020). Authorial intent: a historical survey. University of Birmingham. Ph.D.

Wilcher, Robert (1967). Natural details in the poetry of Andrew Marvell. University of Birmingham. M.A.

Wilcher, Robert (1972). The use of natural details in English poetry: 1645-1668. University of Birmingham. Ph.D.

Wood, Jessica Susan (2016). Portraits of the artist: Dionysian creativity in selected works by Gabriele d’Annunzio and Thomas Mann. University of Birmingham. Ph.D.

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Yin, Winifred Wei-fang (1999). Beyond the point of childishness. University of Birmingham. Ph.D.

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Zhang, Dandan (2018). F. R. Leavis and T. S. Eliot: Literary criticism, culture and the subject of 'English'. University of Birmingham. Ph.D.