Items where Subject is "N Fine Arts > NX Arts in general"

A

Adamthwaite, John Stephen (2011). The gate with critical analysis. University of Birmingham. M.Phil.

Allan, Judith Rachel (2015). Simonetta Cattaneo Vespucci: beauty, politics, literature and art in early Renaissance Florence. University of Birmingham. Ph.D.

B

Banes, Rachael Helen (2023). Scratch that: A comparative approach to graffiti in the late Antique Eastern Mediterranean c. 300-700 C.E. University of Birmingham. Ph.D.

Baselga, Maria Aranzazu (2015). An investigation of professional ballet dancers’ pre-performance routines and superstitious behaviours. University of Birmingham. M.Phil.

Benjamin, Elizabeth Frances (2015). The authenticity of ambiguity: Dada and existentialism. University of Birmingham. Ph.D.

Bicknell, Samuel (2011). (Re)presenting drama: adaptation in postdramatic theatre. University of Birmingham. M.Phil.

Blake, Stacey A (2015). Competition or admiration? Byzantine visual culture in Western Imperial Courts, 497-1002. University of Birmingham. Ph.D.

Blythe, John (2019). Schoenberg and the Gesamtkunstwerk path to abstraction. University of Birmingham. M.A.

Boscaino, Mattia (2022). Exploring street art in the digital era: how the value of street art is co-created. University of Birmingham. Ph.D.

Bradley, Rachel (2011). The art exchange: an investigation of the economy of art. University of Birmingham. M.Phil.

C

Capó Valdivia, Jordi ORCID: 0000-0001-5716-8988 (2022). Lucy Drives a Car: art cinema and dramedy as a framework for the practice of screenwriting. University of Birmingham. Ph.D.

Carta, Silvio (2012). Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. University of Birmingham. Ph.D.

Chen, Shih-Yu (2018). Representing indigenous peoples of Taiwan: the role of museums. University of Birmingham. Ph.D.

Comer, Hannah (2020). The Pre-Raphaelite legacy in modernism. University of Birmingham. Ph.D.

Cox, Pamela (2014). An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. University of Birmingham. M.Phil.

D

Dugdale, Jonathan S (2019). Pagodas, polities, period and place: a data led exploration of the regional and chronological context of Liao dynasty architecture. University of Birmingham. Ph.D.

E

Etienne-Manley, Mara (2023). Caribbean representation on BBC television: a case study of Small Axe pentalogy. University of Birmingham. M.A.

F

Ferguson, Mark George Thomas (2022). Electroacoustic music composition, guided by the inherent methodologies and approaches of wildlife sound recording. University of Birmingham. Ph.D.

Frisby, Madison (2022). Experimentation through witnessing tragic British theatre. University of Birmingham. M.A.

G

Greene, Rob (2020). The poetry school of experience. University of Birmingham. Ph.D.

H

Hall, Alison (2016). The Shelter photographs 1968-1972: Nick Hedges, the representation of the homeless child and a photographic archive. University of Birmingham. Ph.D.

Harper, Simon (2012). A critical comparative study of career transition policy, practice and experiences for ballet company dancers and musical theatre independent dancers. University of Birmingham. M.Phil.

Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.

Hawkins, Ella Kirsty (2020). The significance of Jacobethanism in Twenty-First-Century costume design for Shakespeare. University of Birmingham. Ph.D.

Hilton, Laura Jayne (2011). The Gothic double in the contemporary graphic novel. University of Birmingham. Ph.D.

Holmes, Shannon Georgene (2020). Ephemeral repetitions; deconstructing vocal technique and freeing spontaneous expression for authentic vocal performance. University of Birmingham. Ph.D.

Horne, John Edward (2013). Representations of dying in contemporary visual culture and the ethics of spectatorship. University of Birmingham. M.Phil.

I

Ibrahim, Rana (2023). An examination of the relationship between Islamic Collections and their audiences: a comparative study of two British museums. University of Birmingham. M.A.

K

Kerrigan, Stephanie Louise (2019). Postmodern dramaturgies: adapting classical Greek tragedies for the contemporary stage. University of Birmingham. Ph.D.

L

Lennon, Andrew G. ORCID: 0000-0002-8585-5707 (2022). Beyond documentary theatres: shifting iterations of documentary practices. University of Birmingham. Ph.D.

Levasseur, Bruno (2010). Essai de lecture «democratique» des representations culturelles des grands ensembles francais: une «archive» de la Cite des Quatre-Mille a La Courneuve (1962-2002). University of Birmingham. Ph.D.

Lines, Sarah (2010). The stick in the swill bucket and critical essay. University of Birmingham. M.Phil.

Linley, Olivia Mai ORCID: 0009-0000-4217-2140 (2023). Liveness & Audiences: An investigation into audience’s relationship to and understanding of live performance experience and culture. University of Birmingham. M.A.

M

Mattiello, Andrea (2018). Latin \(Basilissai\) in Palaiologan Mystras: Art and agency. University of Birmingham. Ph.D.

Morton, Anthony James (2019). A portfolio of sound art installations that employ modern reactive and interactive technology through systems-based mechanisms. University of Birmingham. M.A.

N

Nelson, Mary Elaine Sigmon ORCID: 0009-0002-0169-0253 (2024). John Donne and music. University of Birmingham. Ph.D.

Newman, Jo (2012). The phenomenology of non-theatre sites on audience. University of Birmingham. M.Phil.

O

Owen, Katy (2023). 'Making an Exhibition of Herself' - Women, Art and Birmingham, 1860-1920. University of Birmingham. Ph.D.

P

Parker, Robert (2011). An exploration of the identity issues faced by retiring male ballet dancers. University of Birmingham. M.Phil.

Phillips, Henrietta Phillipa Anne Malion (2017). Cultural representations of the Moors Murderers and Yorkshire Ripper cases. University of Birmingham. Ph.D.

R

Rycroft, Sophie (2014). Self-expression and profession: female photographers’ self-portraits in Berlin 1929-1933. University of Birmingham. M.Phil.

S

Savage, Rebecca (2023). Women artists and the British poster movement (1900 – 1939). University of Birmingham. Ph.D.

Seyler, Katrin Jutta (2012). Opening the cognitive tool-box of migrating sculptors (1680-1794): an analysis of the epistemic and semiotic structures of the republic of tools. University of Birmingham. Ph.D.

Shulman, Amy (2011). Photography, memory and identity: the émigré photographer Lisel Haas (1898-1989). University of Birmingham. M.Phil.

Sladen, Anna (2011). The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. University of Birmingham. M.Phil.

Smith, Robert Howie (2020). The Howie Smith Project ‘creative spaces for creative people’ a study of urban regeneration and the creative community. University of Birmingham. Ph.D.

Spiteri Cefai, Mariella (2024). Opera in Malta from 1850 onwards: Towards a new Renaissance of the art-form in Gozo. University of Birmingham. M.A.

Stamos, Ioannis (2019). From literary criticism to propaganda: intellectuals, culture, and politics during the Metaxas dictatorship (1936-1940). University of Birmingham. Ph.D.

Stephenson, Graham (2012). Stanislavski and postmodernism. University of Birmingham. M.Phil.

T

Thompson, Zoë (2010). Urban constellations: reading contemporary cityscapes with Benjamin and Baudrillard. University of Birmingham. Ph.D.

Topuzovski, Tihomir (2014). Instrumental territorialisation, cultural change and artistic practices: the case of the Western Balkans. University of Birmingham. Ph.D.

Trim, Valerie (2012). Affecting modalities: configuring meaning in cyberspace. University of Birmingham. Ph.D.

V

Vendelmans, Mattias (2023). Pelle Swedlund. The artist and his work. University of Birmingham. M.A.

W

Walters, Harriet (2023). Rural self-placing: history and narrative in the modern country garden. University of Birmingham. Ph.D.

Webb-Dickin, Georgina (2010). Postmodernism and the fall of the Berlin Wall: the role of postmodernism in Berlin’s aesthetic before and after 1989. University of Birmingham. M.Phil.

Whitmire, Kendra Ann (2012). The uses of Shakespeare on American TV 1990-2010. University of Birmingham. M.Phil.

Williams, Jaclyn P (2023). Preacher/artist: incarnational and fully embodied preaching supported by actor training methodology. University of Birmingham. Ph.D.

Wiltshire, Imogen (2017). Therapeutic art concepts and practices in Britain and the United States (1937-1946). University of Birmingham. Ph.D.

Wren, Fanny Mary Howard (2010). A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st. University of Birmingham. M.Phil.