Items where Subject is "N Fine Arts > ND Painting"

B

Bean, Alan Sigmund Jocelyn (2024). ‘Natural piety’ and sentiment: children, landscape and religion in the paintings of William Collins, R.A. (1787-1847). University of Birmingham. Ph.D.

C

Considine, Marie (2012). The social, political and economic determinants of a modern portrait artist: Bernard Fleetwood-Walker (1893-1965). University of Birmingham. Ph.D.

Cook, Catherine (2015). The apocalyptic landscapes of Ludwig Meidner. University of Birmingham. M.Res.

Cox, Pamela (2014). An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. University of Birmingham. M.Phil.

D

Dudley, Lauren Louise (2014). France in ruins: paintings by Hubert Robert c.1786-1788. University of Birmingham. M.Phil.

E

Edwards, Jamie Lee (2013). Still looking for Pieter Bruegel the Elder. University of Birmingham. M.Phil.

F

Fogarty, Barbara (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. University of Birmingham. M.Phil.

Foulkes, Tamsin (2011). The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). University of Birmingham. M.Phil.

G

Gore, Charlotte (2011). Identities in transition: German landscape painting 1871-1914. University of Birmingham. Ph.D.

Grousdanidou, Antonia (2011). The production of space at Ikon Gallery, Birmingham: from art object to art institution, 1963 - 1978. University of Birmingham. M.Phil.

H

Harrison, Rosanna Lucy Doris Colchester (2019). A study of George Wilson’s eighteenth-century narrative fans as prints and mobile conduct instructors. University of Birmingham. Ph.D.

Hegenbarth, Carly Louise (2011). Religion and representation: Methodism "displayed" in a series of seven images accompanying six anti-Methodist publications 1778-9. University of Birmingham. M.Phil.

Hussain, Muayad H. (2012). Modern art from Kuwait: Khalifa Qattan and Circulism. University of Birmingham. Ph.D.

I

Ireson, Lucinda (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. University of Birmingham. Ph.D.

J

Jones, Victoria Grace (2010). James Gillray's Design for a Naval Pillar: Naval Heroism and Patriotic Public Display in late Eighteenth-Century Britain. University of Birmingham. M.Phil.

K

Keep, Rosemary Isabel (2018). Facing the family: Group portraits and the construction of identity within early modern families. University of Birmingham. Ph.D.

Khan, Soraya Farah (2011). Monet at the Savoy Hotel and the London fogs 1899-1901. University of Birmingham. Ph.D.

L

Loggie, Valerie Ann (2011). Soho depicted: prints, drawings and watercolours of Matthew Boulton, his manufactory and estate, 1760-1809. University of Birmingham. Ph.D.

Lyons, Cai B. (2023). ‘The wandering artist’: Peripatetic modernisms in the career of Mary Swanzy, c. 1900-1947. University of Birmingham. Ph.D.

M

MacCulloch, Laura (2010). Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. University of Birmingham. Ph.D.

McElroy, Samantha Anne (2012). The decoration of the Pauline Chapel: with reference to the works of Giovanni Baglione. University of Birmingham. M.Phil.

Merley, Roy Harold (1999). Gilbert Souest: an account of the seventeenth-century portrait painter. University of Birmingham. M.Phil.

Michael, Georgia (2017). Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730. University of Birmingham. Ph.D.

Murray, Kathryn Emma Fleming (2012). Self-ordering creativity and an independent work space: Edna Clarke Hall’s poem pictures in the early 1920s. University of Birmingham. M.Phil.

N

Naylor, Aileen Elizabeth (2010). Simeon Solomon's work before 1873: interpretation and identity. University of Birmingham. M.Phil.

O

Osborne, Victoria Jean (2010). A British Symbolist in Pre-Raphaelite circles : Edward Robert Hughes RWS. University of Birmingham. M.Phil.

Owen, Katy (2023). 'Making an Exhibition of Herself' - Women, Art and Birmingham, 1860-1920. University of Birmingham. Ph.D.

P

Pegum, Caroline (2010). The artistic and literary career of Charles Jervas (c.1675-1739). University of Birmingham. M.Phil.

Porter-Salmon, Emily (2011). Textual cues, visual fictions: representations of homosexualities in the works of David Hockney. University of Birmingham. Ph.D.

S

Shepherd, Sianne Lauren (2011). Anglo-Saxon labours of the months: representing May - a case study. University of Birmingham. M.Phil.

Stent, Sabina Daniela (2012). Women Surrealists: sexuality, fetish, femininity and female Surrealism. University of Birmingham. Ph.D.

V

Vendelmans, Mattias (2023). Pelle Swedlund. The artist and his work. University of Birmingham. M.A.

W

Wan, Connie (2012). Samuel Lines and sons: rediscovering Birmingham’s artistic dynasty 1794 – 1898 through works on paper at the Royal Birmingham Society of Artists. University of Birmingham. Ph.D.

Weston, Hazel (2010). Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. University of Birmingham. M.Phil.

Wiltshire, Imogen (2013). Painting as psychotherapy: Arthur Segal’s Painting School for Professionals and Non-Professionals (1937-1944). University of Birmingham. M.Phil.